co-organized by the Getty Conservation Institute and the National Park Services

reconfigured

These texts

“Vergara’s lively discussion of the comestibles and prized objects in the paintings of Clara Peeters

and this volume presents an integrated study that rises above specialization in one over the other

Lines of Connection: Drawing and Printmaking, 1400-1850 Winter Apparel co-organized by the Getty ConservationEdina Adam and Jamie Gabbarelli The first volume to chart the rich and reciprocal relationship between drawing and printmaking from the fifteenth to nineteenth centuries. While often viewed and studied separately, drawings and prints have always been closely intertwined. They facilitated and generated the production of one another, and in some instances, clear distinctions between the two dissolved. Many artists created drawings specifically intended